Rita J. King

Know yourself and others, navigate with confidence. Power Pairs is a method for individuals, teams and organizations to be authentic and flexible as we evolve alongside each other and our tools.

I work with senior leaders and their organizations to close the gap between strategy and execution for better results with less stress. Our clients include four out of ten of Forbes' most admired companies. We work across industries.

Our headquarters, a seven-story townhouse occupied for 35 years by Abraham Lincoln's granddaughter, Mary Lincoln Isham, is a cathedral of the imagination. It is a spectacular venue for bringing teams together when they need to focus, think, let down their… Show more

I work with senior leaders and their organizations to close the gap between strategy and execution for better results with less stress. Our clients include four out of ten of Forbes' most admired companies. We work across industries.

Our headquarters, a seven-story townhouse occupied for 35 years by Abraham Lincoln's granddaughter, Mary Lincoln Isham, is a cathedral of the imagination. It is a spectacular venue for bringing teams together when they need to focus, think, let down their guard and be creative. Show less

I am a futurist at the Science and Entertainment Exchange. I invent story architecture, gadgets, scenarios and futuristic technologies with a novel twist for TV and Hollywood.

I have worked as an investigative reporter with a focus on telling high impact stories about complex issues including the nuclear industry, the relationship between corporations and the government and the emerging digital culture. Features by me or about my work have appeared in major media globally, including The New York Times, Psychology Today, The Chronicle of Higher Education, Al Jazeera, TIME, CNN, Fox News, NPR, the BBC, the Christian Science Monitor, The Village Voice, Forbes, Fast… Show more

I have worked as an investigative reporter with a focus on telling high impact stories about complex issues including the nuclear industry, the relationship between corporations and the government and the emerging digital culture. Features by me or about my work have appeared in major media globally, including The New York Times, Psychology Today, The Chronicle of Higher Education, Al Jazeera, TIME, CNN, Fox News, NPR, the BBC, the Christian Science Monitor, The Village Voice, Forbes, Fast Company, Inc. and many more. Show less

I am a Salzburg Global Fellow with a focus on global collaboration through science, art and imagination.

I founded Dancing Ink Productions in 2006 when IBM commissioned me to investigate and report back on the business value of how IBMers around the world were using the Internet.

The mission of Dancing Ink Productions is to explore and shape the new global culture and economy in the Imagination Age. As the Industrial Era fades, its legacy systems still permeate work and education. The Intelligence Era is not yet here, but it presents a design challenge because it contains many intangible… Show more

I founded Dancing Ink Productions in 2006 when IBM commissioned me to investigate and report back on the business value of how IBMers around the world were using the Internet.

The mission of Dancing Ink Productions is to explore and shape the new global culture and economy in the Imagination Age. As the Industrial Era fades, its legacy systems still permeate work and education. The Intelligence Era is not yet here, but it presents a design challenge because it contains many intangible and even invisible components, like code, algorithms, evolving cultures and identities, and huge amounts of data that must be turned into insights if we are to succeed in designing new systems. Since imagination is how the neurons in our brain make connections between ideas, it seemed like the perfect way to break out the period in between these two longer eras. It takes imagination to get away from legacy systems, whether technological or cultural, and it takes imagination to shape the new era which isn't yet here.

Dancing Ink Productions clients include IBM, Manpower, the British Council, the National Institute of Aerospace and more. I continue to develop the Imagination Age at Science House. Dancing Ink Productions continues to serve as an experimental studio for my work including my successfully funded Kickstarter campaign, Mystery Jars. Show less